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Continuity by John Mcauliffe
Adrienne Rich - Final Notations.
John Burnside - Black Cat Bone
Mary Oliver - The Buddha's Last Instruction.
Benjamin Zephania - Talking Turkeys & Carol Ann Duffy - The Bees
FIERE. Jackie Kay. Picador Poetry. 2011
Morning News by Marilyn Hacker
Summer Stars & Summer Has Two Beginnings
Two Poems by SEAN O'BRIEN
Three wonderful poems by Emily Dickinson
Frost at Midnight - Samuel Taylor Coleridge
I carry your heart with me - E.E. Cummings
RAIN by Don Paterson
Full Moon and Little Frieda
WILD GEESE - by Mary OLIVER
The Freedom of the Moon
ALICE OSWALD: A SLEEPWALK ON THE SEVERN
TENNYSON - IN MEMORIAM
JOURNEY OF THE MAGI
Song Of Myself
Daft limericks
The Going
Two Poems by Seamus Heaney
We are Always Too Late
The Horses
The Tiger
The Blue Guitar
Atlantis
Hilaire Belloc
Morning Song, Plath, Sylvia
Penelope Shuttle
Adrienne Rich 2
Sylvia Plath and Marilyn Hacker
Jacob Polley
W.H. Auden
Alice Oswald 3
Christina Rossetti
Don Paterson 3
Don Paterson 2
U.A. Fanthorpe
Stevie Smith
Carl Sandburg
George Herbert
TS Eliot
George Szirtes
Wislawa Szymborska 2
George Szirtes
 

George Szirtes was born in Budapest in 1948 and arrived in England as a refugee in 1956.
This poem is from his collection REEL, published in the UK by Bloodaxe Books in 2004.



ROUGH GUIDE.

Your image destroys itself, remakes itself, and is never weary.
Octavio Paz, The Prisoner.

Impossible to look directly into
another’s eyes. Impossible to look
into your own. You read the dense book
of being like a document you flick through.

Eyes, even an inch apart, are blurs,
clouds, like the concept of yesterday
which has an entity you sometimes stray
into beyond the limits of his and hers,

The unknown: the roughest of the rough guides,
and all it says is: you’re here, you’d better make
the best of it. You entered by mistake
and so you’ll leave. It’s what the route map hides

and languages obscure, the magnetic pull
of all you ever see of the beautiful.

-----

But I have seen the beautiful. I know
its contours and the rough guide it provides
is blissfully specific: the hand that rides
the ridge of the collarbone or moves along the brow,

the perfect form of momentary light
in this line or another. It’s what Blake
saw at the top of the stair, the terrible earthquake
at the root of the flesh we think of as delight.

It’s what you see when you shut your eyes and see,
the angel with the whip or a flaming sword
that burns your eyes down to the spinal cord,
the shit, blood, semen smell of mortality

you get used to because it follows you
everywhere and is both beautiful and true.



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